Peek - Diary of a Voyeur

The more of Celeste's movies I watch, the more I wonder why anybody puts dialogue in movies at all. Seriously, what good does it ever do? Celeste does away with faked orgasms, bad acting, unintelligible accents and awkward writing by simply taking the bat out of the actors' hands, and it works pretty much every time. She also manages to avoid the complications of plot by simply implying, with the use of an evocative title, that there is one, rather than actually coming up with one and putting it in the movie. In this case, with the title Peek, we are told that somebody is peeking, and that's good enough right there.

Scene 1: Sophia Santi, Jana Cova
As usual, Celeste doesn't bother with a bunch of fancy credits or a title sequence, just puts the actors names over the beginning of the first scene. The first scene in this case stars Jana Cova bound - very lightly - and writhing as Sophia Santi pulls on the ribbons that bind and gag her. Pretty soon, she's unbound and Sophia stands in front of her with a big dildo, which Jana sucks on and then bends over to take it from behind. Jana takes over the dildo duties, bringing out a big black one, and Sophia sucks on that, and then Jana slides it between Sophia's tits and into her pussy.

Scene 2: Claire Robbins, Chris Charming
It turns out the girls are being watched through a fairly big telescope with the very elegant Claire Robbins at the small end. Chris Charming is at the big end of Claire, taking her panties off and burying his face in her ass and then slapping it, which she looks like she enjoys. In quick succession (or as quick as anything gets in a Celeste joint), he buries his tongue and then a couple of fingers in there too. The scene shifts, as does Claire, and now she's sitting on her recently penetrated bottom and sucking Chris's cock. That doesn't last long, as she seems to be missing something in her ass, and it turns out that he's perfectly willing to put that in too. She sits down on it in RCG, then lets him fuck her in doggy anal as he pulls her back onto him with her arm, her bra strap, and whatever else he can reach; finally he pulls out and shoots on her face.

Scene 3: Jamie Lynn, Sophia Santi
Sophia and Jamie, looking nearly identical, are caressing each other on a bed, flirting, applying lipstick to each other and then getting it all over each other's bodies by licking and sucking each other, and then just by drawing on each other. Sophia writes I (heart) U on Jamie's left breast, and Jamie responds with FUCK ME! on Sophia's, and Sophia closes the deal with You're MINE on Jamie's right breast. They start to grapple, Jamie writes ALL MINE on Sophia's belly, and then the time for talking is through. The time for licking and stuff like it has begun, and they indulge in a lot of it. This is a fairly softcore scene, just some finger penetration and a lot of rubbing.

Scene 4: Marlena
It turns out Marlena's putting on a little pole dance, maybe nearby, maybe not. Brunette hair swept back and wearing starlet sunglasses, she strips slowly (how else?) and plays with herself, sliding her fingers into her ass and pussy and posing in a variety of ways - standing, squatting, on her hands and knees, bending over.

Scene 5: Lexxi Tyler, Sophia Santi
Sophia's at home relaxing on the sofa when the maid brings in a card, presumably from someone who wants to visit, but the mistress isn't in a mood for company and she tears up the card and tosses the pieces all over. Lexxi decides to cheer her up some and starts kissing her up to improve her attitude. It turns out that it wasn't company that Sophia didn't want, just that particular visitor, because she gets down between the maid's thighs for a big thank you. Soon enough, it's her turn, and she gets on her hands and knees on the couch so Lexxi can eat her from behind, and then Lexxi spreads again for her. In most Celeste movies there's one girl who doesn't quite belong, the unfinished Liza Doolittle of the bunch, and Lexxi's it in this one. Maybe that's why she's playing the maid - her fake boobs are one clue to her working-class status, but the thing that puts her firmly on the wrong side of the tracks is the tattoo just above her pubic bone that says Darrell; you don't see that very often on the sort of iconic glamour girls, models and pinup types that Celeste likes to evoke. The two finish up panting and thrusting in a scissor-lock on the couch.

Scene 6: Sophia Santi
Making out with the maid wasn't enough for Sophia, apparently - she still has some autoerotica left in her after the scene with Lexxi. Sitting ina chair under a sunny window, she puts herself en deshabille gradually, ending up by sucking on her own toes and tearing her own stockings off her feet. Odd as it is, she's pretty limber. If you can't see her whole body, it looks like she's sucking on someone else's foot. She ends up with her mesh-gloved fingers in her pussy, petting, stroking, and bringing herself off as she sits in the sun.

Scene 7: Holly Wellin, Scott Nails
Holly crawls to Scott across a couch, and they make out ferociously when she gets there. After a lot of kissing and fondling, she takes his cock in her mouth, first on her hands and knees, then lying back so he can go deep in her throat. When he's had his fill of her mouth, he turns her over and plunges into her from behind, then hoists her up for a standing reverse cowgirl. He lays her back on the couch for some missionary, then squats over her face and gives her a big facial.

Scene 8: Karlie Montana, Sophia Santi
Karlie and Sophia, looking much alike in similar make-up both have pale faces, but Karlie has a black square over one eye while Sophia has a square black patch at the top of her right cheekbone) pose for each other, displaying their bodies and stretching out. They come together and start kissing. The lingerie starts to come off, the petting gets a little heavier, and they're kissing and sucking each others' nipples. Karlie kneels between the standing Sophia's legs and tastes her pussy, then Sophia does the same for Karlie. The credits roll as Karlie takes her place between Sophia's thighs again, and there you go.

Good, unobtrusive music - check. Slow motion - check. Elaborate sets - check. Scott Nails - check. Peek is ready for liftoff, with all the necessary elements of the classic Celeste offering. Peek kind of seems to lose track of the voyeur theme after the revelation that Claire is watching Jana and Sophia through a telescope, but that's more or less par for the course for a Celeste movie, when you know there isn't going to be a plot and the title is more of a suggestion than anything else. In fact, when you think about it, most of Celeste's movies could go by the names of most of the others - Marvelous, Posh Kitten, Intoxicated, Porcelain, Erotique, and so on. Most of them have at least a little peeking in them, but this one is the one that got called Peek. Still, you get what you're looking for when you buy one of her movies, and you're never surprised or disappointed, and there's a lot to be said for that   Collapse.

The more of Celeste's movies I watch, the more I wonder why anybody puts dialogue in movies at all. Seriously, what good does it ever do? Celeste does away with faked orgasms, bad acting, unintelligible accents and awkward writing by simply taking the bat out of the actors' hands, and it works pretty much every time. She also manages to avoid the complications of plot by simply implying, with the use of an evocative title, that there is one, rather than actually coming up with one and putting it in the movie. In this case, with the title Peek, we are told that somebody is peeking, and that's good enough right there. ... Read the Full Review!